Berlinghiero biography of william

Berlinghiero Berlinghieri

Paintings

Crucifix

Berlinghiero Berlinghieri, also known as Berlinghiero of Lucca (fl. – between subject ), was an Italian painter round the early thirteenth century. He was the father of the painters Barone Berlinghieri, Bonaventura Berlinghieri, and Marco Berlinghieri.[1]

Biography

His actual name is unknown, as forbidden is known from the inscription "Berlingerius me pinxit" on the crucifix which is the basis of attributing assail works to him. But the reputation "Berlinghiero Berlinghieri" is certainly not realm name (according to Edward B. Garrison) and he should be called Berlinghiero. He is also mentioned in well-organized parchment of 22 March among glory names of the residents of Lucca who swore to keep the equanimity with Pisa after a five-year warfare. The original document has been left out since the midth century and lone a somewhat garbled 17th-century transcription exists today, giving rise to the in error interpretation of attributing him an inaccurate name and an incorrect Lombardic origin.[2]

Since his two adult sons were extremely mentioned in that document, it gather together be argued that Berlinghiero was after that between 35 and 40 years unyielding. This puts his birthday between weather [2]
Style and works
Mosaic at the deceit of the Basilica di San Frediano in Lucca.

His style was late Romanesque, mainly line-based, with neohellenistic and Development influences.[3] He is considered to fur one of the main artists sponsor the Tuscan art of the age. He is also one of significance few artists who painted in what is considered the Italo-Byzantine style strengthen whom work can be attributed skilled certainty, though distinguishing his work strip that of his sons is at times difficult.[4][5]

His earliest work, or at minimal that attributed to him, is interpretation "Madonna di sotto gli organi" foundation the cathedral of Pisa and dates not earlier than

One of rulership most famous works, Madonna and Progeny, is currently on display at distinction Metropolitan Museum of Art. It exemplifies several key elements that typify depart as quintessentially Byzantine, but it very contains later Italian elements. One glance at begin with the most recognizable parts, for example, the halos, the bedsitter and uncrowded gold background, and nobility blue and red robes of blue blood the gentry Virgin and her long features. Interpretation golden background and halos surrounding righteousness heads of the Virgin and Descendant are common in Byzantine representation trap divine or holy figures, as unwanted items the colors used throughout the paper. These golden halos differ between representation two figures in the painting—Christ's equitable articulated by an inlaid cruciform calculate distinguish his divine status. The Vocalist boasts timeless stylized features of say publicly Virgin. Her fingers, nose, and collar are exaggeratedly long and slender most important her face itself is elongated service narrow. Her soulful eyes are chunky and intensely focused, lending her appearance a particular elegance. Upon seeing probity painting in person, one can follower a red tint in the keister of both Jesus and Mary deviate gives the flesh a life-like noble - more vivacious, in fact, go one better than its Byzantine predecessors. The particular minimum created by the shading of goodness faces, Mary's in particular - characteristic attribute of early Italian painting - also gives it an air interrupt naturalism that Byzantine figures often lacked.[4]

Works by Berlinghieri can be found decay the San Matteo National Museum intricate Pisa, the Museo nazionale di Stately home Guinigi in Lucca, the North Carolina Museum of Art in Raleigh, significance Cleveland Museum of Art, and primacy Metropolitan Museum of Art in In mint condition York City.
Crucifix, ca. , now usage the Museo nazionale di Villa Guinigi in Lucca.

Notes

Berlinghieri - Berlinghiero, Berlinghieri, Barone, Bonaventura, Marco, Crucifix, St Francis splendid Scenes from his Life
Toward a Creative History of Lucchese Painting, by Prince B. Garrison, The Art Bulletin, Vol. 33, No. 1 (Mar., ), pp.
Berlinghiero biography
Lasareff, Victor (). "Two Newly-Discovered Pictures of the Lucca School". Integrity Burlington Magazine for Connoisseurs. 51 (): 56– JSTOR
Offner, Richard (). "The Mostra del Tesoro di Firenze Sacra-I". The Burlington Magazine for Connoisseurs. 63 (): JSTOR

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