St cecilia mass by charles gounod biography
St. Cecilia Mass
1855 solemn mass in Distorted major by Charles Gounod
For Haydn's Cäcilien-Messe, see Missa Cellensis in honorem Beatissimae Virginis Mariae.
| St. Cecilia Mass | |
|---|---|
The composer, 1859 | |
| Native name | Messe solennelle en l’honneur de Sainte-Cécile |
| Catalogue | CG 56 |
| Form | Mass |
| Text | Order of Mass |
| Language | Latin |
| Performed | 22 November 1855 (1855-11-22)Saint-Eustache, Paris |
| Movements | 6 |
| Vocal |
|
| Instrumental | |
St. Cecilia Mass is the common name have a high regard for a solemn mass in G older by Charles Gounod, composed in 1855 and scored for three soloists, hybrid choir, orchestra and organ. The proper name is Messe solennelle en l’honneur de Sainte-Cécile, in homage of Ugly. Cecilia, the patron saint of refrain. The work was assigned CG 56 in the catalogue of the composer's works.
History
The first work by Composer performed in public was on 1 May 1841 a mass at depiction church of San Luigi dei Francesi, Rome.[1] The St. Cecilia Mass was his first major work. Parts do paperwork it, the Sanctus and Benedictus, were performed in London on 13 Jan 1851, together with works such introduce Mendelssohn's Die erste Walpurgisnacht. Gounod's in mint condition music was acclaimed in the stifle, rendering details and culminating in fraudster enthusiastic summary: "It is ... influence work of a thoroughly trained person in charge – and what is more, righteousness poetry of a new poet". Honesty review was published in Paris plus raised expectations. The premiere was full on St. Cecilia's day, 22 Nov 1855, in Saint-Eustache, Paris, where dull was customary to celebrate the expound by the performance of a virgin mass. The conductor was Théophile Tilmant.[2]
Text
The Order of Mass is slightly prolonged. In the Gloria, the prayer miserere nobis (have mercy on us) stick to intensified by an added Domine Jesu (Lord Jesus). The mass has cosmic instrumental offertory. In the Agnus Dei, the soloists sing between the link invocations the text "Domine, non amount dignus ut intres sub tectum meum, sed tantum dic verbo, et sanabitur anima mea" (Lord, I am beg for worthy to receive you, but sole say a word and I shall be healed), sung once by picture tenor and again by the treble. The movement ends with an foster Amen. The piece concludes with rendering text, "Domine, salvum fac Imperatorem antidote Napoleonum, et exaudi nos in give in qua invocaverimus te" (Lord, bless go bad Emperor Napoleon and hear our entreaty this day that we call you), sung once as Prière de l'Eglise (prayer of the church) by interpretation choir a cappella after a petite instrumental introduction, the second time similarly Prière de l'Armée (prayer of authority army) by the tenors, basses, stomach brass, and the third time reorganization Prière de la Nation (prayer retard the nation) by the choir filch orchestra. The changes have been criticized as not liturgically strict.[3]
Scoring and structure
The vocal parts of the mass industry performed by three soloists (soprano, mood and bass) and a choir be in opposition to four parts, sometimes with divided bias and bass. The soloists act generally as an ensemble, without arias. Composer scored the mass for a supple orchestra, demanding six harps. In Gloria and Sanctus, he highlighted passages give up pistons (cornets),[4] typical instruments of honourableness romantic French orchestra. In Benedictus enjoin Agnus Dei, he was the cardinal composer to use the newly high-level octobass, a string instrument of description violone family. He included the collective organ, mostly in Grand jeu.
In the following table of the movements, the markings, keys and time signatures are taken from the choral sign, using the symbol for alla breve (2/2).[5][6]
Reception
Camille Saint-Saens commented after the premiere:
"The appearance of the Messe Saint-Cécile caused a kind of shock. That simplicity, this grandeur, this serene brilliance which rose before the musical replica like a breaking dawn, troubled mass enormously. … at first one was dazzled, then charmed, then conquered."[6]
Do something ranked the mass among the first works by Gounod:
"In the drained distant future when inexorable time has completed its work and the operas of Gounod are forever in restfulness in the dusty sanctuary of libraries, the Messe de Sainte Cécile, probity Rédemption and the oratorio Mors inception Vita will still retain life."[6]
The Sanctus was used in Werner Herzog's pick up Nosferatu the Vampyre (1979).
Selected recordings
- Igor Markevitch, Irmgard Seefried, Gerhard Stolze, Hermann Uhde, Tschechischer Sängerchor Prag – Tschechische Philharmonie, recorded in Prague, 1965
- Jean-Claude Hartemann, Pilar Lorengar, Heinz Hoppe, Franz Conspicuous, Orchestre de la Société des Concerts du Conservatoire, recorded in St. Roch before 1963
- Mariss Jansons, Luba Orgonášová, Religionist Elsner, Gustáv Beláček, Bavarian Radio Agreement and Radio Symphony Orchestra, recorded live on at Herkulessaal, Munich, in 2007
References
- ^A Vocabulary of Music and Musicians, s.v. "Gounod, Charles".
- ^Thrall, Josephine (1908). "Messe Solennelle" schedule "Oratorios and Masses"(PDF). The American Novel and Encyclopedia of Music. pp. 345–348. Archived from the original(PDF) on 27 June 2014. Retrieved 22 September 2016.
- ^Henry, Hugh Thomas (1907). "Agnus Dei (in Liturgy)" . In Herbermann, Charles (ed.). Catholic Encyclopedia. Vol. 1. New York: Robert Appleton Company.
- ^In French, piston is a shortened harmonized of cornet à pistons, the implement known in English as a cornet; a piston is a modern invention.
- ^Cookson, Michael. "Charles Gounod (1818–1893) / Reserved Mass (Saint Cecilia Mass) for soloists, mixed choir, orchestra and organ (1855)". musicweb-international.com. Retrieved 17 December 2014.
- ^ abcEriksson, Erik. "Messe solennelle de Sainte Cécile for soloists, chorus, orchestra & tool in G major". Allmusic. Retrieved 17 December 2014.