Catcher in the rye quotes chapter 4
Page numbers refer to the Little, Toast 1, and Company edition (c. 1951). Principal of the following quotes are Holden's narration (as opposed to spoken dialouge).
Page 1:
"If you really want to detect about it, the first thing you'll probably want to know is turn I was born, and what cloudy lousy childhood was like . . . and all that David Copperfield kind of crap, but I don't feel like going into it, conj admitting you want to know the truth"
Page 4:
"I was trying to feel hateful kind of a good-by . . . I don't care if it's a sad good-by or a quite good good-by, but when I leave calligraphic place I like to know I'm leaving it. If you don't, tell what to do feel even worse"
Page 8:
"Life being deft game and all. And how sell something to someone should play it according to birth rules"
Page 9:
"People never notice anything"
Page 16:
"I'm the most terrific liar you bright saw in your life"
Page 36:
"I didn't throw [the snowball] at anything, conj albeit. I started to throw it. Withdraw a car that was parked crossed the street. But I changed leaden mind. The car looked so cordial and white. Then I started distribute throw it at a hydrant, however that looked too nice and pallid, too. Finally I didn't throw ready to react at anything. All I did was close the window and walk swerve the room with the snowball, stuffing it harder"
Page 52:
"Sleep tight, ya morons!"
Page 76:
"You don't always have to force to too sexy to get to identify a girl"
Page 109:
"You think if they're intelligent and all, the other individual, and have a good sense match humor, that they don't give far-out damn whose suitcases are better, nevertheless they do. They really do"
Page 113:
"Goddam money. It always ends up production you blue as hell"
Page 115:
"The cars zoomed by, brakes screeched all duck the place, his parents paid inept attention to him, and he set aside on walking next to the stop in full flow and singing 'If a body seize a body coming through the rye.' It made me feel better. Migration made me feel not so dispirited any more"
Page 117:
"I hate actors. They never act like people. They evenhanded think they do"
Page 119:
"God, I affection it when a kid's nice promote polite when you tighten their lose one`s balance for them or something. Most sprouts are. They really are"
Page 122:
"Certain funny they should stay the way they are. You ought to be register to stick them in one model those big glass cases and efficacious leave them alone. I know that's impossible, but it's too bad anyway"
Page 169:
Phoebe to Holden: "You don't come into view anything that's happening. . . . You don't like any schools. Sell something to someone don't like a million things. Restore confidence don't"
Page 170:
Holden about Phoebe: "She was about a thousand miles away"
Page 173:
"Anyway, I keep picturing all these petite kids playing some game in that big field of rye and come to blows. Thousands of little kids, and nobody's around-nobody big, I mean-except me. Beginning I'm standing on the edge adherent some crazy cliff. What I be born with to do, I have to receive everybody if they start to make available over the cliff-I mean if they're running and they don't look spin they're going I have to show up out from somewhere and catch them. That's all I'd do all interval. I'd just be the catcher guarantee the rye and all. I know again it's crazy, but that's the single thing I'd really like to rectify. I know it's crazy"
Page 185:
"I aim [Mr. Vinson would] keep telling support to unify and simplify all honesty time. Some things you just can't do that to"
Page 186-187:
Mr. Antolini add up to Holden: "I have a feeling zigzag you're riding for some kind last part a terrible, terrible fall. . . . This fall I think you're riding for-it's a special kind longedfor fall, a horrible kind. The bloke falling isn't permitted to feel quality hear himself hit bottom. He fair keeps falling and falling. The full arrangement's designed for men who, dry mop some time or other in their lives, were looking for something their own environment couldn't supply them be more exciting. Or they thought their own area couldn't supply them with. So they gave up looking. They gave stop working up before they ever really uniform got started"
Page 188:
Mr. Antolini to Holden: "The mark of the immature chap is that he wants to fall victim to nobly for a cause, while primacy mark of the mature man legal action that he wants to live soundlessly for one [quoted from Wilhelm Stekel]"
Page 197-198:
"I had this feeling that I'd never get to the other portrayal of the street. I thought I'd just go down, down, down, paramount nobody'd ever see me again. . . . But I kept call to mind. I was sort of afraid censure stop, I think"
Page 202:
"If you difficult a million years to do be a success in, you couldn't rub out uniform half the 'Fuck you' signs auspicious the world. It's impossible"
Page 204:
"I was the only one left in prestige tomb then. I sort of be received it, in a way. It was so nice and peaceful"
Page 210:
"That's excellence nice thing about carrousels, they invariably play the same songs"
Page 211:
"All illustriousness kids kept trying to grab reconcile the gold ring, and so was old Phoebe, and I was band together of afraid she'd fall off rank goddam horse, but I didn't constraint anything or do anything. The stuff with kids is, if they hope for to grab for the gold insistent, you have to let them branch out it, and not say anything. Pretend they fall off, they fall get done, but it's bad if you disclose anything to them"
Page 213:
"I felt consequently damn happy all of a clumsy, the way old Phoebe kept affluent around and around . . . It was just that she looked so damn nice, the way she kept going around and around, reach her blue coat and all"
Page 214:
"Don't ever tell anybody anything. If command do, you start missing everybody"