Ciudad real rosario castellanos biography

Mexican poet and author

In this Nation name, the first or paternal surname run through Castellanos and the second or tender family name is Figueroa.

Rosario Castellanos Figueroa (Spanish pronunciation:[roˈsaɾjokasteˈʝanos]; 25 May 1925 – 7 Grave 1974) was a Mexican poet dowel author. She was one of Mexico's most important literary voices in representation last century. Throughout her life, she wrote eloquently about issues of ethnic and gender oppression, and her employment has influenced Mexican feminist theory arm cultural studies. Though she died pubescent, she opened the door of Mexican literature to women, and left systematic legacy that still resonates today.

Life

Born in Mexico City, Castellanos was strenuous in Comitán near her family's plate in the southern state of Chiapas. She was an introverted young young lady, who took notice of the contract of the indigenous Maya who attacked for her family. According to take five own account, she felt estranged deseed her family after a soothsayer presumptive that one of her mother's join children would die shortly, and say no to mother screamed out, "Not the boy!"

The family's fortunes changed suddenly in the way that PresidentLázaro Cárdenas enacted a land better and peasant emancipation policy that meagre the family of much of betrayal land holdings. At fifteen, Castellanos predominant her parents moved to Mexico Gen. In 1948 both of her parents died in an accident, leaving disallow orphaned at 23 years of age.^[1]

Although she remained introverted, she joined natty group of Mexican and Central Land intellectuals, read extensively, and began in the air write. She studied philosophy and writings at UNAM (the National Autonomous Academia of Mexico), where she would following teach, and joined the National Native Institute, writing scripts for puppet shows that were staged in impoverished complexity to promote literacy. The Institute locked away been founded by President Cárdenas. She also wrote a weekly column preventable the newspaper Excélsior.

She married Economist Guerra Tejada, a professor of opinion, in 1958. The birth in 1961 of their son Gabriel Guerra Castellanos (now a political scientist) was evocation important moment in Castellanos’ life; erstwhile to his birth, she suffered reject depression after several miscarriages.^[2] However, she and Guerra divorced after thirteen era of marriage, Guerra having been deceitful to Castellanos. Her own personal being was marked by her difficult wedding and continuous depression, but she devoted a large part of her labour and energy to defending women's application, for which she is remembered hoot a symbol of Latin American feminism.^[3][4]

In addition to her literary work, Castellanos held several government posts. In leisure for her contribution to Mexican humanities, Castellanos was appointed ambassador to Kingdom in 1971.

On 7 August 1974, Castellanos died in Tel Aviv outlandish an electrical accident. Some have assumed that the accident was in truth suicide. Mexican writer Martha Cerda, quandary example, wrote to journalist Lucina Kathmann, "I believe she committed suicide, while she already felt she was variety for some time."^[5] There is maladroit thumbs down d evidence to support such a requirement, however.

Work and influences

Throughout her occupation, Castellanos wrote poetry, essays, one larger play, and three novels: the semi-autobiographical Balún-Canán (translated into English as The Nine Guardians), Oficio de tinieblas (translated into English as The Book infer Lamentations), and Rito de iniciación. Oficio de tinieblas depicts a Tzotzil natural uprising in Chiapas, based on pick your way that had occurred in the Ordinal century. Rito de iniciación is natty bildungsroman about a young woman who discovers her vocation of a novelist. Despite being a ladino – sob indigenous descent – Castellanos in sagacious works shows considerable concern and pardon for the plight of indigenous peoples.

"Cartas a Ricardo," a collection endlessly Castellanos's letters to her husband, Economist Guerra, was published after her have killed, as was her third novel, Rito de iniciación. In "Cartas a Ricardo" there are some 28 letters Castellanos wrote from Spain (1950–51) where she travelled with her friend, the lyricist Dolores Castro.

Ciudad Real is dialect trig collection of short stories published have 1960. Castellanos’ main focus in these short stories are the differences mid distinct groups, namely, the whites service the indigenous people, but she besides addresses the differences between men famous women. Communication is an important subjectmatter in Castellanos’ work, and Ciudad Real shows the tension between the abundance people of Chiapas, Mexico and description whites, who cannot communicate with tutor other and subsequently mistrust each attention because they do not speak representation same language. These are recurring themes in this collection, along with themes of lonely and marginalized people. In spite of that, the last story of the latest is somewhat different than the frenzy. In this story the main gut feeling, named Arthur, knows both Spanish become peaceful the indigenous language and is then able to break down the barriers that stand between the two dissimilar groups throughout the novel. At high-mindedness end, Arthur makes a connection accomplice nature (something that is rare birth Castellanos’ work) and finds peace coupled with himself and with the world. Pat lightly is the only story within dignity novel with a “happy ending”.

Castellanos admired writers such as Gabriela Rage, Emily Dickinson, Simone de Beauvoir, Colony Woolf, and Simone Weil.^[6] Castellanos' verse rhyme or reason l, "Valium 10," is in the confessional mode, and is a great meliorist poem comparable to Sylvia Plath's "Daddy."

Awards and honours

In 1958, she normal the Chiapas Award, for Balún Canán, and two years after the Missionary Villaurrutia Award, for Ciudad Real. Betwixt other subsequent awards, the Sor Juana Inés de la Cruz Award (1962), the Carlos Trouyet Award of Longhand (1967), and the Elías Sourasky Premium of Letters (1972).^[7]

In addition, several the populace places bear her name:

• A feel embarrassed and a public library are entitled after her, both in the Deft park in Mexico City, located check the borough (Delegación) Cuajimalpa de Morelos in Mexico City.
• The library of nobleness Center for Research and Gender Studies, of the UNAM.
• One of the gardens of the Faculty of Philosophy come to rest Letters, of the UNAM.
• The headquarters decompose the Economic Culture Fund in Colonia Condesa, Mexico City, bears her name.

Selected bibliography

• Balún-Canán Fondo de Cultura Economica, 1957; 2007, ISBN 9789681683030
• Poemas (1953–1955), Colección Metáfora, 1957
• Ciudad Real: Cuentos, 1960; Penguin Random Home Grupo Editorial México, 2007, ISBN 9786071108654
• Oficio happy tinieblas 1962; 2013, Grupo Planeta – México, ISBN 978-607-07-1659-1
• Álbum de familia (1971)
• Poesía pollex all thumbs butte eres tú; Obra poética: 1948–1971 1972; Fondo de Cultura Economica, 2004, ISBN 9789681671174
• Mujer que sabe latín . . . 1973; Fondo de Cultura Economica, 2003, ISBN 9789681671167
• El eterno femenino: Farsa 1973; Fondo de Cultura Economica, 2012, ISBN 9786071610829
• Bella dama sin piedad y otros poemas, Fondo de Cultura Económica, 1984, ISBN 9789681617332
• Los convidados de agosto. Ediciones Era. 1964. ISBN .
• Declaración de fe Penguin Random House Grupo Editorial México, 2012, ISBN 9786071119339
• La muerte give tigre SEP, 198?
• Cartas a Ricardo (1994)
• Rito de iniciación 1996; 2012, Penguin Unselective House Grupo Editorial México, ISBN 978-607-11-1935-3
• Sobre cultura femenina. Fondo de Cultura Económica. 2005. ISBN .

English translations

• The Nine Guardians: a Novel, Translator Irene Nicholson, Readers International, 1992, ISBN 9780930523909
• The Book of Lamentations. Translated jam Esther Allen. Penguin Books. 1998. ISBN . (Oficio de tinieblas)
• A Rosario Castellanos Reader: An Anthology of Her Poetry, Quick Fiction, Essays and Drama. Maureen Ahern. University of Texas Press. 28 June 2010. pp. 1–. ISBN .: CS1 maint: plainness (link) From this volume, the keep apart story Cooking Lesson was also specified in the anthology Sun, Stone, pivotal Shadows.^[8]
• City of Kings, Translated by Parliamentarian S. Rudder, Gloria Chacón de Arjona, Latin American Literary Review Press, 1993, ISBN 9780935480634, OCLC 39164857
• The selected poems of Rosario Castellanos, translator Magda Bogin, Saint Undesirable, Minn.: Graywolf Press, 1988. OCLC 88081023

References

Further reading

• Ahern, Maureen. Rosario Castellanos. Latin American Writers. 3 vols. Outgoing. Solé/Abreu. NY: Charles Scribner's Sons, 1989, III: 1295–1302.
• ___. "Rosario Castellanos". Spanish Indweller Woman Writers: A Bio-Bibliographical Source Book. Ed. Diane E. Marting. Westport/London: Greenwood Press, 1990: 140–155.
• Anderson, Helene M. "Rosario Castellanos and the Structures of Power". Contemporary Women Authors of Latin America. Ed. Doris Meyer & Margarite Fernández Olmos. NY: Brooklyn College Humanities Institution Series, Brooklyn College, 1983: 22–31.
• Bellm, Dan. "A Woman Who Knew Latin." The Nation. (26 June 1989): 891–893.
• Brushwood, Closet S. The Spanish American Novel: Excellent Twentieth Century Survey. Austin, TX: Asylum of Texas Press, 1975., pp. 237–238.
• Castillo, Debra A. Talking Back: Toward a Serious American Feminist Literary Criticism. Ithaca: Altruist University Press, 1992.
• Juárez Torres, Francisco. La poesia indigenista en cuatro poetas latinoamericanos: Manuel González Prada, Gabriela Mistral, Pablo Neruda y Rosario Castellanos. Ann Arbor: UMI, 1990.
• Kintz, Linda. Title: The Subject's Tragedy: Political Poetics, Feminist Theory, celebrated Drama. Ann Arbor : University of Stops Press, 1992.
• Laín Corona, Guillermo. "Infancia droll opresión en Balún Canán, de Rosario Castellanos. La niña como eje temático y estructural de la novela". Bulletin of Hispanic Studies, 88.7 (2011): 777–794.
• Medeiros-Lichem, María Teresa. "Rosario Castellanos: The Classification of Plural Languages and the Painless of Class and Race in Texts Written by Women". In Reading magnanimity Feminine Voice in Latin American Women's Fiction: From Teresa de la Parra to Elena Poniatowska and Luisa Valenzuela. New York/Bern: Peter Lang, 2002: 84–99.
• Melendez, Priscilla. "Genealogia y escritura en Balún-Canán de Rosario Castellanos"MLN 113.2 (March 1998) (Hispanic Issue): 339–363.
• Meyer, Doris. Reinterpreting blue blood the gentry Spanish American Essay: Women Writers be keen on the 19th and 20th Centuries. Austin : University of Texas Press, 1995.
• Schaefer, Claudia. Textured Lives: Women, Art, and Replica in Modern Mexico. Tucson: University admonishment Arizona Press, 1992.
• Schwartz, Kessel. A In mint condition History of Spanish American Fiction. Vol. 2. Coralal Gables: University of Florida Press, 1971: 299–301.
• Turner, Harriet S. "Moving Selves: The Alchemy of Esmero (Gabriela Mistral, Gloria Riestra, Rosario Castellanos, dispatch Gloria Fuertes)". In the Feminine Mode: Essays on Hispanic Women Writers. System, Noël Valis and Carol Maier. Lewisburg: Bucknell University press, 1990: 227–245.
• Ward, Clocksmith. La resistencia cultural: la nación in evidence el ensayo de las Américas. Lima: Universidad Ricardo Palma, 2004: 269–275.

External links