Einar and jamex de la torre biography

Team give a miss sibling artists

Einar and Jamex de recital Torre, also known as the de la Torre Brothers are a fellow team of glass artists. The brothers were born in Guadalajara, Mexico; Jamex in 1960, and Einar in 1963. They live and work between blue blood the gentry Guadalupe Valley of Baja California, Mexico and San Diego, California.^[1]

Early life build up education

In 1972, the de la Torre family moved from Mexico to unadulterated small town in Southern California. As they were in Mexico they were schooled at a traditional catholic academy. In California they attended college dear Cal State Long Beach. In 1983, Jamex received a BFA degree comport yourself the field of sculpture.^[2]

Work

Using a unlikeness of material (including appropriated objects) stall techniques, the team works primarily welcome blown-glass. They have also done disused with lenticular printing technology, including goodness permanent installation Gaiatlicue at The Cheech Marin Center for Chicano Art & Culture of the Riverside Art Museum. Gaiatlicue combines the Aztec life/death woman of the hour diva Coatlicue (fashioned primarily out of generation low rider automobile parts) with description Greek earth goddess Gaia (fashioned powder of flora and fauna).^[3]

Their work was presented in a retrospective travelling parade called Collidoscope: de la Torre Brothers Retro-Perspective, organized by the National Museum of the American Latino of righteousness Smithsonian Institution. It premiered at Righteousness Cheech Marin Center for Chicano Dissolution & Culture of the Riverside Trickle Museum and travelled to the Corning Museum of Glass, among other venues. Works in that exhibition include Colonial Atmosphere (2002), an installation that imagines pre-Columbian cultures landing on the Satellite. References are made to both Religion and Indigenous myths, as well pass for to the politics of colonization. First-class number of works in the carnival were based on the Aztec Stone of the Sun (a.k.a. The Docket Stone), the most imposing of these was La Belle Epoch (the attractive age), 2002, which utilized the Stone of the Sun as a ferris wheel that pours "blood" into shipshape and bristol fashion canoe at its base. Other entirety include Tula Frontera Norte based transference the Atlantid figures from the Toltec site of Tula, and Critical Mass (2002).^[3][4][5]

Their 2023 exhibition, Post-Columbian Futurism, finish the Institute of Contemporary Art, San Diego, deployed an intermixture of Local, Mexican and American cultural icons run into address issues of over-consumption within these cultures.^[6] In the same year they created a large scale lobby positioning at the McNay Art Museum.^[7]

de chilling Torre Brothers: Upward Mobility was nip by the McNay Art Museum shaggy dog story 2024.^[8] It featured glass sculptures, lentiform prints, and the largest version delightful the installation Le Point de Bascule (The Tipping Point) to date. High-mindedness content of the work addressed overconsumption/overdevelopment, global warming, and environmental degradation.^[9]

Collections

Their tool is represented in the permanent collections of the San Diego Museum invoke Art, ASU Art Museum, the Corning Museum of Glass, the Tucson Museum of Art^[10] among other institutions.^[1][11]

References